beth levin ~ piano
beth levin - album cover
Beth Levin pianist

459 12th Street, 2-A
NY 11215
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wikipedia entry
Leni Bogat Artists
beth levin
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Beethoven Op. 110 sonata

Chopin Preludes

From the recent Parma CD

Rameau pieces:

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Beth's connections
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Latest reviews and news:

In 2016 pianist Beth Levin will be performing in recital, as chamber musician and as concerto soloist in New York City, Boston, North Carolina, Washington, D.C. and Munich, Germany. Stay tuned for details.

New review of Beth latest recording here at The Classical Reviewer
Latest La Foliia interview with Beth can be found here
Navona Record's catalog page of Beth can be seen here
YouTube video of Beth playing Chopin, Eliasson and Schumann can be found here
James Forrest reviews Beth in Fanfare here.
Read Richard Brody's recent review of Beth in The New Yorker here

Latest recording news:
The release of a recording (solo piano) of Schubert, Schumann and Anders Eliasson from Aldila Records-late spring, 2015.

Recording (solo piano) for Parma recordings of Schumann, Chopin and Anders Eliasson to be released in 2016.

The cellist Sam Magill and Beth Levin are recording a CD for Parma Recordings of the Schnabel sonata for cello and the Kreutzer Sonata of Beethoven arranged for cello by Czerny. More information to follow.

Beth Levin

Brooklyn-based pianist Beth Levin is celebrated as a bold interpreter of
challenging works, from the Romantic canon to leading modernist
composers. /The New York Times/ praised her “fire and originality,”
while /The New Yorker/ called her playing “revelatory.”

Debuting as a child prodigy with the Philadelphia Orchestra at age
twelve, Levin was subsequently taught and guided by legendary pianists
such as Rudolf Serkin, Leonard Shure and Dorothy Taubman, Another of her
teachers, Paul Badura-Skoda, praised Levin as “a pianist of rare
qualities and the highest professional caliber.” Her deep well of
experience allows an intuitive connection with the great pianistic
traditions, to Bach, to Mozart, to Beethoven.

Critics hail the immediacy of her performances. “Levin plays with a rare
percussive audacity, making notes and phrases that usually rush by in
the background stand out in high relief,” writes Richard Brody in /The
New York Times/. “Her choice of adventure over suaveness,” stated David
Patrick Stearns of the /Philadelphia Inquirer/, “created a sense of
barely controlled improvisation.”

Levin has appeared as a concerto soloist with numerous symphony
orchestras, including the Philadelphia Orchestra, the Boston Pops
Orchestra, the Boston Civic Symphony and the Seattle Symphony Orchestra.
She has also worked with noted conductors such as Arthur Fiedler, Tonu
Kalam, Milton Katims, Joseph Silverstein and Benjamin Zander.

Chamber music festival collaborations have brought Levin to the Marlboro
Festival, Casals Festival, Harvard, the Edinburgh Fringe Festival, the
Ankara Music Festival and the Blue Hill Festival, collaborating with
such groups such as the Gramercy Trio (founding member), the Audubon
Quartet, the Vermeer Quartet and the Trio Borealis, with which she has
toured extensively. Her solo performances have been broadcast on
National Public Radio, WGBH (Boston), WFMT (Chicago) and WNYC, WNYE and
WQXR (New York).

Among Levin’s most recent albums are /Personae: Chopin, Eliasson,
Schumann/, released on the Parma label, and /Inward Voice: Schumann,
Eliasson, Schubert/, from Aldila. Wrote Tiara Ataii in /Music and
Vision/, reviewing /Personae/: “Levin’s performance is near perfection,
maintaining intensity in each note and crystalline tone in every register.”

Two live performance recordings have been extremely well praised:
/Bach’s Goldberg Variations /and /Beethoven’s Diabelli Variations/ ,
both released by Centaur Records. Steve Smith of /The New York Times/
described her interpretation of Diabelli “consistently fascinating,”
while Robert Levine of /Stereophile Magazine/ termed it “stunning.” Of
Levin’s /Goldberg Variations/, Peter Burwasser of /Fanfare Magazine/
stated that “she is in love with the notes....with always the sense that
she is exploring Bach’s genius.”

For all her devotion to the Romantic canon, Levin remains committed to
the performance of the music of our time, interpreting composers such as
Henryk Gorecki, Scott Wheeler, Mohammed Farouz and Michael Rose, among
many others. Her closest collaborators have been the composers David Del
Tredici, Yehudi Wyner and Andrew Rudin, both of whom have written works
for her.

Concerts 2016

April 21, 2016, 8:00pm
Violin/piano recital
Works of Schubert, Beethoven and Grieg
The Icelandic Embassy, D.C.
Kalorama Road, 2443

June 1, 2016, 2:00 pm
Joint piano presentation of all the Debussy Preludes
The Sheen Center, NYC

Sunday, August 7, 2016, 8:00 pm
Schubert A major sonata, D959
Ode to Music by David del Tredici
Brahms/Handel Variations
Recital at Bargemusic
Fulton Ferry Landing,
Brooklyn, NY

Thursday, October 13 7.30pm
Inward Voices: Beth Levin plays Schubert, Brahms, Drozdoff
The National Opera Center
330 7th AVe, Fl 7th, New York 10001
Facebook evnt -

Concerts 2015

May 2, 2015, 3:00pm
Piano Prep Seminar of A Ramon Rivera
works of Schumann, Chopin and Eliasson
New England Conservatory of Music
The Keller Room
290 Huntington Avenue
Boston MA 02115-5018
Free admission

May 24, 2015
Music of Scott Brickman

with the group "Eight Strings and a Whistle".
Recording of Scott Brickman's music for Parma Recordings.
121 Ludlow, Second Floor
New York, New York 10002

June 13, 2015
Vista Lirica Ensemble Concert - works of Debussy, Brahms, Rhudyar, Berg, etc
Bruno Walter Auditorium at Lincoln Center Library

July 24, 2015
Recital at Bargemusic
Fulton Ferry Landing,
Brooklyn, NY

Praise for Beth Levin:

Beth reviewed in The New Yorker April 23, 2012

“Ms. Levin kept the ear engaged with boldly inflected readings and an impressive ability to convey emotion without exhibition. Her technique was solid, and better still, her organic approach made it feel like an afterthought.” 
Jeremy Eichler, The New York Times

“Over the years, Levin has transformed herself. The flame within still burns with undimmed intensity, but now there is warmth as well as blinding light.”
Richard Dyer, The Boston Globe

"A pianist with a bold interpretive personality and a powerful technique. She brought fire and originality to her program."
Allan Kozinn, The New York Times

"Her playing of Schumann's Carnival was at times dazzling in its virtuosity, at other times warmly moving in its sensitivity. Her performance was thoroughly persuasive."
Allen B. Skei, The Fresno Bee

"A pianist of rare qualities and the highest professional caliber. I was deeply impressed and moved by her performance at the last Marlboro Festival."
Paul Badura-Skoda

"Beth Levin was the highlight- and a bright light she was- of the opening concert of a new Portland series Sunday afternoon in Portland Art Museum."
Oregon Journal

"Miss Levin, who has well-drilled fingers and temperament to spare, romped through the nonstop virtuoso writing. But it was not all her show, and she subdued herself to let the other instruments have their say when the score indicated which, in all truth, is not too often. It was a bracing performance."
Harold C. Schonberg, The New York Times

"Her performance of the Hummel Septet with a touring ensemble for Marlboro lingers in the memory as one of the supreme examples of pianistic energy and equilibrium in this reviewer's experience."
Richard Dyer, The Boston Globe

"These were performances Rudolf Serkin would have relished for their density and solidity of musical substance, and envied for their purely pianistic panache."
Richard Dyer, The Boston Globe

"Beth Levin’s performance is very much in the “I’ll play it my way” mode, but without a speck of disrespect to the composer. Quite the opposite; she plays as if in love with the notes. Tempos are deliberate, sometimes to the extreme. Repeats are taken at will. Voicing is unexpected. And yet there is always the sense that she is exploring Bach’s genius, as opposed to fashioning a vehicle for her own personality."
Peter Burwasser
Fanfare Magazine: Bach Goldberg Variations, Beth Levin, piano

Philadelphia's native daughter - Beth Levin, an exceptionally talented concert pianist
link here

link to "
Beethoven's Variations and Endless Imagination"

The New York Times

"Pianist Beth Levin likes the contrasts and is not afraid to underline
them, as well she should, and she is very brave in her choice of
tempos. To this end, note Var.24, a slow fughetta that she takes more
slowly than any other recorded pianist, and keeps it intact, graceful,
and clear throughout. Var.32,Fuga, is played slowly as well, with
leaden hands and ferocious accents-her reading of this double fugue
has the gravity of the high Baroque. By contrast, Levin ends this
variation with an elegant if quick take on the Minuet, her dynamics
varied and her attitude courtly, just as Mozart and Haydn would have
recognized...I remember Var.11, an adorable Allegretto, which Levin
plays as if winking at us from behind her fan...In general, the less
gregarious the variation, the better I like Levin's reading; despite
the fact that her playing is never self-effacing or shy...But when
she's good, which is very often, she's stunning."
Robert Levine, Sterophile Magazine

You can also listen to Beth here on Classical Connect
beth levin - album cover
Buy online
Read a review
Beth writes....
beth levin - a single breath
Sampler and information
German review
La Folia review
beth levin - ineard vpoice
German review
beth levin
Grammy Awards

If you would, do consider voting for "Personae"/ Beth Levin in the Best Classical Instrumental Solo category which is #79 for the Grammy Awards. The exact number is: 237.

Thank you.